Martin Barnes
Senior Curator of Photographs at the Victoria and Albert Museum, London
Martin Barnes is Senior Curator of Photographs at the Victoria and Albert Museum (V&A) London, which he joined in 1995 from his previous position at the Walker Art Gallery, Liverpool. Since 1997 he has worked with the V&A’s National Collection of the Art of Photography, building and researching the collection and devising exhibitions. He was the Lead Curator for the V&A’s new Photography Centre which opened in autumn 2018.Martin has curated numerous UK and international touring exhibitions including: Aspects of Architecture (2005); Where Are We? Questions of Landscape (2007-08);
Something That I’ll Never Really See: Contemporary Photography from the V&A (2008-10); Beneath the Surface, the inaugural exhibition for Photo London, Somerset House (2015) and the British Pavilion at Dubai Photo (2016). He was the V&A curator for the Museum’s exhibitions: Diane Arbus Revelations (2005-6); Twilight: Photography in the Magic Hour (2006); Shadow Catchers: Camera-less Photography (2010); Figures and Fictions: Contemporary South African Photography (2011); Island Stories: Fifty Years of Photography in Britain (2012-13); Captain Linnaeus Tripe: Photographer of India and Burma, 1854-1860 (2015); Richard Learoyd: Dark Mirror (2015-16) and Paul Strand: Photography and Film for the 20th Century (2016).His publications include: Benjamin Brecknell Turner: Rural England through a Victorian Lens, (2001); Illumine: Photographs by Garry Fabian Miller: A Retrospective (2005); Twilight: Photography in the Magic Hour (2006); Shadow Catchers: Camera-less Photography (2010); Horst: Patterns from Nature (2014); Curtis Moffat. Silver Society: Experimental Photography and Design, 1923-1935 (2016) and Cameraless Photography (2018). He has written essays for many contemporary photographers’ publications including, Susan Derges, Paul Duke, Nermine Hammam, Frances Kearney, Hendrik Kerstens, Richard Learoyd, Peter Marlow, Hellen van Meene, Matthew Murray, Daniel Naudé, Jim Naughten, Wang Qingsong, Thomas Ruff, Sato Tokihiro, Al Vandenberg and Wim Wauman. Martin was editor of Talking Photography, a catalogue of the audio and visual collections of the British Library National Sound Archive, where he is an interviewer for the Oral History of British Photography project. He has written entries for The Folio Society Book of the 100 Greatest Photographs (2006) and the Encyclopaedia of Nineteenth Century Photography (2007) and contributed to international exhibition catalogues on the role of photography in the Pre-Raphaelite and Arts and Crafts Movements.He has acted as academic advisor for the Royal College of Art, the University of Westminster and the University of the Arts London and as Chair of the Kraszna-Krausz Book Awards, and is a reviewer for the Burlington Magazine. Martin is an Honorary Life Member of the Royal Photographic Society (RPS) and was
presented with the RPS ‘J. Dudley Johnston Award’ in 2013 in recognition of ‘major achievements in the field of photographic criticism and the history of photography, awarded for sustained excellence over a period of time.’
Founded in 2008 by Pictet, the Prix Pictet has become the world’s leading award for photography and sustainability.1 To date, there have been nine cycles of the award, each of which has highlighted a particular facet of sustainability
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Founded in 2008 by Pictet, the Prix Pictet has become the world’s leading award for photography and sustainability.1 To date, there have been nine cycles of the award, each of which has highlighted a particular facet of sustainability
Founded in 2008 by Pictet, the Prix Pictet has become the world’s leading award for photography and sustainability.1 To date, there have been nine cycles of the award, each of which has highlighted a particular facet of sustainability
Founded in 2008 by Pictet, the Prix Pictet has become the world’s leading award for photography and sustainability.1 To date, there have been nine cycles of the award, each of which has highlighted a particular facet of sustainability
Founded in 2008 by Pictet, the Prix Pictet has become the world’s leading award for photography and sustainability.1 To date, there have been nine cycles of the award, each of which has highlighted a particular facet of sustainability
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Investment leadership. A question of talent not size.
We are an independent investment partnership known for our long-term mindset, responsible approach to business and entrepreneurial spirit. These principles have defined us since 1805. For our clients, colleagues, and wider society, we always aim to do the right thing and honour our commitment to enduring quality.
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Fourteen Years, Nine Cycles
The jury for the Prix Pictet are a group of leading experts in the visual arts from around the world including directors of major museums and galleries as well as journalists and critics. They lead the global search for images of high artistic qcuality and narrative power and fit the theme of a particular cycle.
The jury for the Prix Pictet are a group of leading experts in the visual arts from around the world including directors of major museums and galleries as well as journalists and critics. They lead the global search for images of high artistic qcuality and narrative power and fit the theme of a particular cycle.
The jury for the Prix Pictet are a group of leading experts in the visual arts from around the world including directors of major museums and galleries as well as journalists and critics. They lead the global search for images of high artistic qcuality and narrative power and fit the theme of a particular cycle.
The jury for the Prix Pictet are a group of leading experts in the visual arts from around the world including directors of major museums and galleries as well as journalists and critics. They lead the global search for images of high artistic qcuality and narrative power and fit the theme of a particular cycle.
The jury for the Prix Pictet are a group of leading experts in the visual arts from around the world including directors of major museums and galleries as well as journalists and critics. They lead the global search for images of high artistic qcuality and narrative power and fit the theme of a particular cycle.
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Test one
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
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Test two
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
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Test three
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
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Test four
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
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Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
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T05
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
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About Pictet
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book.
H3 We are an independent investment partnership known for our long-term mindset, responsible approach to business and entrepreneurial spirit. These principles have defined us since 1805. For our clients, colleagues, and wider society, we always aim to do the right thing and honour our commitment to enduring quality.
H4 We are an independent investment partnership known for our long-term mindset, responsible approach to business and entrepreneurial spirit. These principles have defined us since 1805. For our clients, colleagues, and wider society, we always aim to do the right thing and honour our commitment to enduring quality.
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We are an independent investment partnership known for our long-term mindset, responsible approach to business and entrepreneurial spirit. These principles have defined us since 1805. For our clients, colleagues, and wider society, we always aim to do the right thing and honour our commitment to enduring quality.
We are an independent investment partnership known for our long-term mindset, responsible approach to business and entrepreneurial spirit. These principles have defined us since 1805. For our clients, colleagues, and wider society, we always aim to do the right thing and honour our commitment to enduring quality.
Small print
We are an independent investment partnership known for our long-term mindset, responsible approach to business and entrepreneurial spirit. These principles have defined us since 1805. For our clients, colleagues, and wider society, we always aim to do the right thing and honour our commitment to enduring quality.
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We are an independent investment partnership known for our long-term mindset, responsible approach to business and entrepreneurial spirit. These principles have defined us since 1805. For our clients, colleagues, and wider society, we always aim to do the right thing and honour our commitment to enduring quality.
